Fair warning, Avid Media Composer doesn’t make your subtitle workflow easy. You almost need a film degree just to navigate the software! However, using Rev to create your caption and subtitle files can help tremendously. And, we hope this guide helps you figure out the captions workflow in Media Composer.

What caption formats can I use in Avid Media Composer?

Avid is strict on captions and subtitles types it allows in Media Composer. The program only permits two types:

  • Spruce Subtitle File (.STL)
  • and Avid DS Caption (.TXT).

Media Composer doesn’t really allow you to edit your closed-caption data once they’re imported into the program. Via Avid’s official website, it states:

“There are no native Avid tools available to edit the closed caption data information. Avid will support a closed caption DATA track. However, it must be preserved as a separate unedited element and presented to a closed caption editing system, along with the edited video, in order for a new closed caption data track to be written. The closed caption system compares the original data track with the newly edited video data track and determines how to rebuild the data track for the new video clip that has been created.”

Avid made this statement about its Media Composer software in 2012, and seemingly they’ve made little effort to remedy this issue.

NOTE: Regarding the two captions formats allowed, Rev.com can prepare the caption files needed for the DATA track mentioned from Avid. That way, you can still import CC files in Media Composer.

Importing Captions into Avid Media Composer

Avid Media Composer offers a wealth of post-production tools at your disposal. Yet, so many tools and processes can overwhelm you as well.

To import a captions file, there are a number of things you have to do first. Otherwise, Media Composer won’t permit you to import anything at all.

1. Pre-Import Protocol for Captions Files

Before importing captions or subtitles in Avid Media Composer, your first priority is the “Bin.”

You can do nothing without the Bin. Remember this.

Step 1:

Start a timeline. Right-click inside the Bin area, and choose “New Sequence.”

Step 2:

Captions won’t work in Avid Media Composer if the start time doesn’t reflect the time of the media file.

By default, Media Composer starts at one hour — 01:00:00:00.

Change this by right-clicking the Tracking Information Menu (Mas TC1). Select “Sequence Report.”

Adjust the start time and “apply changes.” Then, press “Cancel.” Do not press the “Generate Report” button.

Step 3:

Within the Bin window, import all the media you plan on using for your project.

Right-click inside the area, scroll to “Input,” and select “Import Media.”

Select any videos, pictures, or audio you’ll include in the Media Composer project. Press “Open.”

Step 4:

Your files will encode via Avid’s Media Creation center — backing up your files in the system. Then, they’ll appear inside the Bin.

Step 5:

If you have a video file, that’s easiest. Click and drag it from the Bin into the Sequence window below. It will automatically populate video and corresponding audio channels.

Now, you’re kind of/sort of ready to import your captions.

2. Import Captions File

It’s unfortunately not as simple as pressing “Import” and selecting a file. There are further steps you have to take in Media Composer.

Step 1:

Click on “Timeline” in the top menu of Avid Media Composer. Scroll to “New,” and select “Video Track.”

The extra video track is where you’ll place your captions or subtitles file.

Step 2:

Ensure to toggle the new video track, then go to “Tools” in the top menu of Avid Media Composer.

Choose “Effect Palette.” The Effect menu will open, and this is where you’ll locate “Generator.” Click this item.

To the right, you will see “SubCap.”

Grab and drag this item onto the blank video track in the Sequence window. The track should turn to “Filler.”

Step 3:

Now, you’re ready to import your captions or subtitles in Media Composer.

Again, ensure to toggle the “Filler” track. Then, return to “Tools.” Select “Effects Editor” this time.

It’ll bring up a different menu — the SubCap options. Expand the “Caption Files” part, and choose “Import Caption Data.”

You’ll have the option to either import TXT data or STL data. Those are the only two that Avid Media Composer directly allows.

The program also indirectly allows users to embed fixed captions into a DATA track. This requires a third-party plug-in, according to Avid.

But these embedded captions files can be MacCaption (.MCC) or Timed-Text Markup Language (.TTML).

Yet, as earlier mentioned, they will be un-editable if they’re closed-caption based.

NOTE: Your subtitles must align exactly with the media you are captioning in Media Composer. If they do not, the software will not allow you to import them.

Editing Captions in Avid Media Composer

Luckily, editing your captions is far easier than importing them. There are still a few steps to making it happen. But, the software contains a convenient global editor. So, that’s a plus.

1. Text Appearance

Avid Media Composer permits users to adjust several text attributes. That’s possibly also because its subtitles are basically open-caption format.

Step 1:

To edit font, color, size, and other appearance measures, ensure to toggle the captions track. Then, click “Tools” and return to “Effect Editor.”

The SubCap menu should appear.

NOTE: If you want your changes to affect all captions slides, edit the global properties first. Switch everything to “Track” or “Sequence” in the Synchronize tab, then continue as follows.

Step 2:

Expand the “Text Appearance” menu.

You’ll see a variety of options — from color, opacity, and font to size, weight, and alignment.

Adjust to your desire.

You also have similar options for “Box Appearance” regarding your subtitles’ background.

2. Text Caption and Times

In Avid Media Composer, you don’t edit your captions text on the timeline.

Rather, you do it inside the Effects Editor as well. You’ll find it in the “Edit Master Caption List.”

Here, you’ll be able to modify your texts. Sometimes, depending on the file, you may not be able to edit the start or end times from there.

Not to worry. You can still adjust start and end times in the Sequence window using the “Segment Mode” icon. It’s the red arrow along the toolbar.

Just click and drag the subtitles item where you want it. 

WARNING: Remember to disengage the Segment tool before continuing other edits in the Sequence window.

Now… on to foreign subtitles.

Adding Foreign Subtitles Using Media Composer

In Media Composer software, you add subtitles for multiple languages exactly how you add regular captions.

But, you probably shouldn’t stack your workflow like you would in Adobe Premiere Pro or another NLE program.

You could do it, but exporting this way would present several issues. We’ll discuss this later.

All in all, you have two options.

1. Multi-layered Sequence

In Avid Media Composer, you can add English subtitles and foreign-language subtitles files to the project.

You do it the same way you imported captions from the previous example. Add a blank video track. Add captions to that track.

Repeat for as many subtitles as desired.

2. Multiple Sequences

Thanks to Avid Media Composer’s “bin” idea, you can have multiple sequences within one project.

So, you could have an open-captions version. As another sequence, you could have an open-subtitles version.

Step 1:

To begin another sequence in Media Composer, right-click inside the Bin window and choose “New Sequence.” Automatically, a new set will appear.

NOTE: Don’t worry. Your other sequence is still available. Just double-click it inside the Bin, and it’ll take you back. You can toggle between the two — or however many sequences you decide to create for your project.

Step 2:

Drag and drop your video file from the Bin into the new sequence.

When adding subtitles, repeat the process from “adding captions.” We explained this in a previous section.

NOTE: Editing subtitles in Avid Media Composer is the same as editing captions.

Foreign Character Subtitles Using Avid

Unless your imported subtitles’ TXT file has UTF-8 with BOM encoding, it won’t properly show in Media Composer during playback.

For instance, your Japanese characters will only appear as “blocks” on your screen.

Exporting Captions and Subtitles Using Media Composer

If you thought the other sections were tricky, hold on to your hats. Exporting captions and subtitles from Avid Media Composer can be a nightmare.

While it’s relatively easy in other NLE programs, Avid’s strict protocol limits what’s available.

And with that, you have limited export options.

1. Sidecar File Export Options in Avid Composer

In this program, there are two direct options for sidecar captions. There are also two indirect options. A total of four captions options.

Direct Export for Sidecar Captions

We mentioned earlier in the article that Media Composer only allows two types of import subtitles: STL and TXT. 

Well, it’s the same for exporting.

Step 1:

Toggle the captions or subtitles track you want to export via the Sequence window.

Go to “Tools” and select “Effect Editor.”

Step 2:

Choose “Export Caption Data.” You’re then presented with either STL or TXT options. Nothing more. No additional options.

This is because you’re strictly focusing on separate caption tracks. It’s the only way you’ll export them as a direct-out.

Apply this method to the other captions and subtitles in your project.

Indirect Export for Sidecar Captions

Earlier, we explained an indirect import method using a DATA track.

Interestingly enough, Avid Media Composer offers sidecar options using this method in the main “Export” process.

Step 1:

Click “File,” scroll to “Output” and choose “Export.”

Step 2:

There are various options available for .SCC and .TTML export formats.

However, if the captioned information isn’t in a DATA track, the software will reject the export with “Data Track not found.”

So…

Unless you have the third-party plug-in Avid mentions on its website, you’ll only be able to export using the direct caption methods: STL and/or TXT via the “Export Captions Data” feature.

2. Export Burn-In Open Captions with Avid Media

In Avid Media Composer — since the software is essentially open-captions based — encoding and burning act the same.

If using the Multi-layered sequence method explained above, you’ll need to turn off power to captions and subtitles channels you don’t want to export.

If you’re exporting English captions, turn off foreign language subtitles.

Repeat the process for subtitles. Exporting each onto separate videos. Otherwise, they’ll all appear in the mixdown video at the same time.

Step 1:

Return to the main “Export” window. There are several “QuickTime” selections available.

Step 2:

“Sorenson Squeeze” notes that it’s specifically for encoding. Pick this and choose “Options.”

The format is “QuickTime Reference,” but you can also change it to “QuickTime Movie” for more options.

Once you select the sub-options, press “Save.” The QuickTime video will export.

NOTE: There’s an option to render “video effects” to .AAF, which is encoding. But, it just saves the sequence data into the Bin window.

Although you’ve chosen to encode, the software sees captions/subtitle text as open-caption.

So in the QuickTime Player, they’ll show automatically. There’s no option to turn them off.

Your Captions Workflow in Avid Media Composer

This program takes work to maneuver if you’re using it for captions or subtitles. Once you export the STL or TXT captions, you’ll have to use another NLE program to set them as CC.

Hopefully, this guide has given you plenty of insight. Adding captions and subtitles to your videos using Avid Media Composer is possible. But know that there are limitations.

With Rev, you can easily cut out the manual work of typing and creating captions on your own. Use Rev to get your captions for only $1/minute and in every caption format available, at no additional charge.